A rough life leaves Marie desperate for a way of escape. When she and her secret crush find a portal to the magical land of Sonara, it seems she has found just that. Now, she has everything she could want except the sister she left behind. Determined to save her from their abusive stepfather, Marie sets out to bring her sister with her a new home, but Sonara may not be the idyllic land she dreamed of.
In this nine-volume work, published between 1812 and 1815, the author and publisher John Nichols (1745-1826) provides biographical notes on publishers, writers and artists of the eighteenth century, and also gives 'an incidental view of the progress and advancement of literature in this kingdom during the last century'. (A shorter version had been published in 1782.) His subjects range from the publisher William Bowyer to Henry Fielding and Horace Walpole, and also include histories of individual publishing houses and of genres such as lexicography. Many of the authors dealt with are not remembered today, but the work remains a useful source of biographical material on authors and publishers at a period when many of the literary genres we take for granted, such as the novel, the autobiography and the analytical history, were first being developed.
During the nineteenth century, New Orleans thrived as the epicenter of classical music in America, outshining New York, Boston, and San Francisco before the Civil War and rivaling them thereafter. While other cities offered few if any operatic productions, New Orleans gained renown for its glorious opera seasons. Resident composers, performers, publishers, teachers, instrument makers, and dealers fed the public's voracious cultural appetite. Tourists came from across the United States to experience the city's thriving musical scene. Until now, no study has offered a thorough history of this exciting and momentous era in American musical performance history. John H. Baron's Concert Life in Nineteenth-Century New Orleans impressively fills that gap.
Baron's exhaustively researched work details all aspects of New Orleans's nineteenth-century musical renditions, including the development of orchestras; the surrounding social, political, and economic conditions; and the individuals who collectively made the city a premier destination for world-class musicians. Baron includes a wide-ranging chronological discussion of nearly every documented concert that took place in the Crescent City in the 1800s, establishing Concert Life in Nineteenth-Century New Orleans as an indispensable reference volume.
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